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Members of the company of August Wilson’s Seven Guitars, directed by Timothy Douglas, music direction by Dwight Andrews, scenic design by Fufan Zhang, costumes by An-Lin Dauber, lighting by Carolina Ortiz Herrera, sound design and composition by Fan Zhang, technical direction by Ian Hannan, and stage management by Helen Irene Muller. Photo © Joan Marcus, 2016.
Lily Gladstone and Steven Flores in Manahatta by Mary Kathryn Nagle, directed by Laurie Woolery, movement direction by Ty Defoe, scenic design by Mariana Sanchez, costumes by Stephanie Bahniuk, lighting by Emma Deane, music composition and sound design by Paul James Prendergast, projections by Mark Holthusen, hair and wig design by Matthew Armentrout, technical direction by Yaro Yarashevich, and stage management by Julia Bates. Photo © Joan Marcus, 2020.
Members of the company of Girls by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, scenic design by Adam Rigg, costumes by Montana Levi Blanco, lighting by Yi Zhao, sound design by Palmer Hefferan, projections by David Bengali, hair and makeup design by Cookie Jordan, technical direction by Jon West, and stage management by James Mountcastle. Photo © Joan Marcus, 2019.
Members of the company of Indecent written by Paula Vogel, directed by Rebecca Taichman, music composition by Lisa Gutkin and Aaron Halva, music direction by Aaron Halva, scenic design by Riccardo Hernandez, costumes by Emily Rebholz, lighting by Christopher Akerlind, sound design by Matt Hubbs, projections by Tal Yarden, technical direction by Mitch Massaro, and stage management by Amanda Spooner. Photo © Carol Rosegg, 2015.
Arturo Soria and Irene Sofia Lucio in El Huracán by Charise Castro Smith, directed by Laurie Woolery, scenic design by Gerardo Díaz Sánchez, costumes by Herin Kaputkin, lighting by Nic Vincent, sound design by Megumi Katayama, projections by Yaara Bar, magic design by Christopher Rose, puppet design by James Ortiz, technical direction by Alex Worthington, and stage management by Christina Fontana. Photo © T. Charles Erickson, 2018.
Dianne Wiest in Happy Days by Samuel Beckett, directed by James Bundy. scenic design by Izmir Ickbal, costumes by Alexae Visel, lighting by Stephen Strawbridge, sound design by Kate Marvin, technical direction by Lydia Pustell, and stage management by Kelly Montgomery. Photo © Joan Marcus, 2016.
The artwork on this page, inspired by Daniel Quasar’s “Progress Pride Flag,” was designed by Passage Design.
Members of the company of the world premiere of Familiar by Danai Gurira, directed by Rebecca Taichman, music composition by Somi and Toru Dodo, scenic design by Matt Saunders, costumes by Toni-Leslie James, lighting by Joey Moro, sound design by Brian Hickey, technical direction by Ross Rundell, and stage management by Anita Shastri. Photo © Joan Marcus, 2015.
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Jeff Biehl, Greg Keller, Mary Shultz, and Andrew Weems in Scenes from Court Life, or the whipping boy and his prince by Sarah Ruhl, directed by Mark Wing-Davey, scenic and costume design by Marina Draghici, lighting by Stephen Strawbridge, sound design by Shane Rettig, projections by Yana Birÿkova, wig design by Charles G. Lapointe, technical direction by Kelly Rae Fayton, and stage management by James Mountcastle. Photo © Carol Rosegg, 2016.