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Aaron James McKenzie with members of the cast in a scene from Choir Boy by Tarell Alvin McCraney, directed by Christopher D. Betts, Yale Repertory Theatre, March 31-April 23, 2022. Photo © Joan Marcus.
Members of the company of August Wilson’s Seven Guitars, directed by Timothy Douglas, music direction by Dwight Andrews, scenic design by Fufan Zhang, costumes by An-Lin Dauber, lighting by Carolina Ortiz Herrera, sound design and composition by Fan Zhang, technical direction by Ian Hannan, and stage management by Helen Irene Muller. Photo © Joan Marcus, 2016.
Jennean Farmer, Chalia La Tour, and Adrienne S. Wells in a scene from the ripple, the wave that carried me home by Christina Anderson, directed by Tamilla Woodard. Yale Repertory Theatre, April 28-May 20, 2023. Photo © Joan Marcus.
Members of the company of Girls by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, scenic design by Adam Rigg, costumes by Montana Levi Blanco, lighting by Yi Zhao, sound design by Palmer Hefferan, projections by David Bengali, hair and makeup design by Cookie Jordan, technical direction by Jon West, and stage management by James Mountcastle. Photo © Joan Marcus, 2019.
Members of the company of Indecent written by Paula Vogel, directed by Rebecca Taichman, music composition by Lisa Gutkin and Aaron Halva, music direction by Aaron Halva, scenic design by Riccardo Hernandez, costumes by Emily Rebholz, lighting by Christopher Akerlind, sound design by Matt Hubbs, projections by Tal Yarden, technical direction by Mitch Massaro, and stage management by Amanda Spooner. Photo © Carol Rosegg, 2015.
Dianne Wiest in Happy Days by Samuel Beckett, directed by James Bundy. scenic design by Izmir Ickbal, costumes by Alexae Visel, lighting by Stephen Strawbridge, sound design by Kate Marvin, technical direction by Lydia Pustell, and stage management by Kelly Montgomery. Photo © Joan Marcus, 2016.
The artwork on this page, inspired by Daniel Quasar’s “Progress Pride Flag,” was designed by Passage Design.