Steve Carter – Horace E. “Steve” Carter, Jr. was an American playwright, best known for his trilogy of plays involving Caribbean immigrants living in Manhattan. Mr. Carter received the Living Legend award at the 2001 National Black Theatre Festival. After taking over the position from Lonnie Elder as Director of the Negro Ensemble Company’s (NEC) Playwrights‘ Workshop, Steve Carter later became Literary Manager/Dramaturge at NEC. During those years, NEC produced the first two plays of his Caribbean trilogy: Eden (1975, winner of an Outer Critics Circle Award, AUDELCO Award, and the Los Angeles Drama Critics Circle Award) and Nevis Mountain Dew (1978). He was Victory Gardens Theater’s first playwright-in-residence beginning in 1981, and he also served as playwright-in-residence at George Mason University. Carter’s Pecong (winner of the Joseph Jefferson Award for New Work) premiered at Victory Gardens in the 1989–1990 season and received subsequent productions at London’s Tricycle Theatre, American Conservatory Theatre in San Francisco, and Newark Symphony Hall. His plays Dame Lorraine, House of Shadows, Shoot Me While I’m Happy, Spiele ’36, or the Fourth Medal, and Root Causes also premiered at Victory Gardens. Mr. Carter died at the age of 90 in 2020.

Brandon J. Dirden recently appeared on Broadway starring in the Tony Award-winning production of Take Me Out and Skeleton Crew for which he received a Drama Desk nomination.  He also appeared on Broadway as Martin Luther King, Jr. in the Tony Award-winning production of All the Way, with Bryan Cranston; as well as in the Tony Award winning revival of August Wilson’s Jitney; Clybourne Park; Enron; and Prelude to a Kiss. Off-Broadway, he has appeared in The Piano Lesson, for which he won OBIE, Theatre World, and AUDELCO awards; The First Breeze of Summer, Day of Absence (Signature Theatre); Detroit ’67 (The Public Theater, Classical Theatre of Harlem); Peter and the Starcatcher (New York Theatre Workshop); and as Brutus in Julius Caesar (Theatre for a New Audience). On screen he has appeared in The Good Wife, For Life, Evil, The Big C, Public Morals, Manifest, The Get Down, The Accidental Wolf, Blue Bloods, The Quad, the FX miniseries Mrs. America, and four seasons of FX’s The Americans as Agent Dennis Aderholt. He has directed numerous plays by Dominique Morriseau and August Wilson and recently Wine in the Wilderness by Alice Childress for Two River Theater. Brandon is an Associate Arts Professor on the faculty of Tisch Grad Acting at NYU; a frequent volunteer at the 52nd Street Project; and a proud member of both Actors’ Equity Association and Fair Wage On Stage.

George Zhou 周亦扬 is a third-year M.F.A. candidate at David Geffen School of Drama, where his credits include Cleansed and Rent Free, as well as Baksa at Yale Cabaret. He received his bachelor’s degree in set design from the University of the Arts London. yiyangzhou.design

Caroline Tyson is a third-year M.F.A. candidate at David Geffen School of Drama, where credits include Pearl’s Beauty Salon and Fucking A. Other costume design credits include Herencia, Arlington, The Royale, And the Beetle Hums, and Marry Me A Little (Yale Cabaret); Bat Boy: The Musical (Weston Drama Workshop); and Twelfth Night (The Public Theater Children’s Shakespeare Ensemble). Assistant/associate design credits include productions at The Juilliard School, Cincinnati Opera, Barrington Stage, Berkeley Rep, Wolf Trap Opera, and Lincoln Center Theater. B.A., University of Maryland, Baltimore County. carolinetyson.com

Ankit Pandey is a lighting designer, theater practitioner, and educator originally based in New Delhi, India, and currently a third-year M.F.A. candidate at David Geffen School of Drama. They have worked in and designed for a wide gamut of performances including but not limited to theater, music, dance recitals, films, exhibitions, and installations.

Notable among these are Pearl’s Beauty Salon, Fucking A, The Winter’s Tale (Geffen School); Dastaan LIVE, Table Radica, Green Room, and Love, Prufrock. Ankit has also served as the technical and art director for various performing arts festivals. They are also a co-founder of Tech Quartet, a technical design and production company based in New Delhi.

Tojo Rasedoara is a third-year sound designer and M.F.A. candidate at David Geffen School of Drama. Recent and notable credits include Every Goodbye Ain’t Gone, Charlotte, Springtime, Birthday Candles, Fabulation, falcon girls, The Light and the Dark (Chautauqua Theater); Pearl’s Beauty Salon, Measure for Measure, Macbeth, Ghost, Furlough’s Paradise (Geffen School); Wish You Were Here (Yale Rep); Soft Jade (Yale Cabaret); OFF-PEAK (world premiere, Hudson Stage Company, 59E59 Theatre); Sandblasted (Vineyard Theatre); Is There Still Sex in the City? (Daryl Roth Theatre); Citizen: An American Lyric (Duke University); The Gradient (Repertory Theatre of St. Louis); and Harriet Tubman (HI-ARTS). Tojo holds a B.A. in entertainment technology from City Tech Brooklyn. He also worked with various New York Fashion Weeks as a production assistant. He would like to thank his sound team and creatives Cat Slanski, Robert Salerno, Kiersten Lamora, Stephanie Smith, Mike Backhaus, Justin Ellington, James Monaco, Jill Du Boff for their incredible support towards the play.

Ein Kim (Projection Designer) is a video artist and a third-year projection design student at David Geffen School of Drama. Hailing from South Korea, she earned her B.F.A. in film from the Korea National University of Arts. Her artistic journey is dedicated to unraveling the universal language of visuals, transcending geographical and linguistic boundaries. Recent theater works include Gianni Schicchi, Seven Deadly Sins, and Measure for Measure. Video installation projects include Moving Sculpture: Streams, and You See What You See. einkim.com

Krystal Balleza – Previously at Yale Rep: falcon girls; the ripple, the wave that carried me home; and Mojada: A Medea in Los Angeles. Opera: Opera Theatre of Saint Louis 2023–24 season. Off-Broadway: Orlando (Signature Theatre); The Connector (MCC); Good Bones, The Tempest (The Public Theater); Six Characters in Search of an Author, At the Wedding (Lincoln Center); Americano! (New World Stages). Regional: Ain’t Misbehavin’ (Barrington); Angels in America, Part One (Arena Stage); Real Women Have Curves (ART). Krystal is the Hair and Makeup Department Head at Six: The Musical on Broadway. Krystal holds a B.F.A. in Wig and Makeup Design from Webster Conservatory and is co-owner of The Wig Associates with her design partner, Will Vicari.

@thewigassociates

Will Vicari – Previously at Yale Rep: falcon girls; the ripple, the wave that carried me home. Broadway: Yellowface (Roundabout), Parade (2023 revival), Harmony, and Spamalot (associate wig and makeup design). Opera: Opera Theatre Saint Louis 2023 and 2024 seasons. Off-Broadway: Orlando (Signature Theatre); The Connector (MCC); At the Wedding (Lincoln Center); Mrs. Warren’s Profession, Candida (Gingold Group). Regional: Ain’t Misbehavin’ (Barrington Stage Company), Angels in America, Part One (Arena Stage). Will holds a B.F.A. in Wig and Makeup Design from Webster University and is co-owner of The Wig Associates with his design partner, Krystal Balleza. @thewigassociates

@thewigassociates

Austin Riffelmacher he/him is a third-year M.F.A. candidate at David Geffen School of Drama, where his credits include Stray Dogs by comfort ifeoma katchy, HELLYOUTALMBOUT by ML Roberts, and The Misanthrope directed by Mary Lou Rosato. At Yale Cabaret, his work includes The Royale directed by Lauren F. Walker and his solo performance “A Phantastic Christmas.” Originally from Worcester, Massachusetts, he holds a B.A. in English with a concentration in African American literature and film from Framingham State University. Austin would like to dedicate his work on this production to his father, Donald.

Tia Smith is a second-year M.F.A. candidate at David Geffen School of Drama and the current Robert and Jean Steele Intern at Yale University Art Gallery. As a Mellon Mays Undergraduate Fellow, she authored an award-winning thesis on Eden by Steve Carter and nominated the play for Yale Rep’s 2024–25 season. She is a recipient of the Black Theatre Network’s S. Randolph Edmonds Young Scholars Award and the Cody Renard Richard Scholarship. She holds a B.A. in theater studies and African & African American studies from Duke University. She thanks her sister for introducing her to Carter’s work. She is proud to be from the South Side of Chicago.

Nickie Dubick she/her is a second-year M.F.A. candidate in the technical design and production program at David Geffen School of Drama, where her credits include Ghosts (properties manager), Marys Seacole (assistant production electrician), and Measure for Measure (technical director). Her Yale Rep credits include the ripple, the wave that carried me home (assistant technical director), Wish You Were Here (production electrician), The Far Country (properties manager), and falcon girls (assistant technical director). Prior to Yale, she earned a B.A. in scenic design from Marymount Manhattan College and worked for The Polar Express Train Ride™ as Décor and Props Supervisor.

Michael Rossmy is a Resident Fight and Intimacy Director for Yale Rep, a lecturer in acting at David Geffen School of Drama, and Stage Combat and Intimacy Advisor for Yale College. Broadway credits include A Tale of Two Cities, Cymbeline, and Superior Donuts. Regional theater credits include The Public Theater, Roundabout, The Atlantic, Primary Stages, Westport Country Playhouse, Goodspeed Musicals, Paper Mill Playhouse, Asolo Rep, The Old Globe, TheaterWorks Hartford, Princeton University, The Acting Company, Soho Rep, the Geffen Playhouse, Long Wharf Theatre, McCarter Theatre, Kansas City Rep, People’s Light & Theatre, and others. He was nominated for a 2017 Drama Desk Award for his work on Troilus and Cressida for The Public Theater’s production in Central Park and a 2024 Barrymore Award nominee for his work on Bonez at Peoples Light. His work can also be seen in the upcoming independent film Floating Carousel.

Paul Pryce – Coaching credits include Playboy of the West Indies (NYU Grad Acting) and Play the Devil (feature film). Off-Broadway: King Lear, The Merchant of Venice (Compagnia de Colombari); Pecong (National Black Theatre of Harlem); She Talks to Beethoven (JACK!); Harry the Hunk (Cherry Lane Theatre); Empire State Works (Whitney Museum). Regional: Create Dangerously (Miami New Drama); Hamlet, The Piano Lesson, Good Goods, American Night: The Ballad of Juan Jose (Yale Rep); Julius Caesar, Pericles (Elm Shakespeare).

International: Everything That Rises Must Converge (Compagnia de Colombari, Italy); Silence and Fear (Lieux Dits, France); Smile Orange (Scarlett Project, Trinidad and Tobago). Film and television: Jessica Jones, Narco Saints (Netflix); Unforgettable (CBS/A+E). Directing and producing: Constellations, Five Times in One Night, Almost Maine (HB Playwrights); Nina Goes to New York, Mary Jane (Korea). Education: M.F.A. in acting, David Geffen School of Drama.

Calleri Jensen Davis is a creative casting partnership among James Calleri, Erica Jensen, and Paul Davis of over 20 years. They began their collaboration with Yale Rep in 2023 with Mojada: A Medea in Los Angeles and the ripple, the wave that carried me home. Broadway credits: The Piano Lesson, Topdog/Underdog, for colored girls…, Thoughts of a Colored Man, Burn This, Fool for Love, The Elephant Man, Hedwig and the Angry Inch, Of Mice and Men, Venus in Fur, A Raisin in the Sun, 33 Variations. Television: Love Life, Queens, Dickinson, and The Path, to name a few.

callerijensendavis.com

Hope Binfeng Ding she/her is in her final year as an M.F.A. candidate in stage management at David Geffen School of Drama, originally from Shenzhen, China. Selected theatrical credits include falcon girls, The Far Country (Yale Rep); Romeo and Juliet (NAATCO); Aubergine (South Coast Rep); Sleep No More Shanghai; Eye of the Storm Stunt Spectacular (Disney Shanghai). B.A., UC San Diego. All my love and gratitude to family and friends.

Thomas Nagata he/they is thrilled to be making his Yale Rep debut. Selected previous credits include Fucking A, Uncle Vanya, Cactus Queen, Tempt Me (David Geffen School of Drama); The Tempest, it’s not a trip it’s a journey, Quixote Nuevo (Round House Theatre); King Lear (Shakespeare Theatre Company); Ain’t No Mo’, The Nosebleed, Incendiary, Rose: You Are Who You Eat (Woolly Mammoth Theatre Company); In the Heights, Annie, Proof (Olney Theatre Center); All the Way, The Roommate, The Yoga Play (South Coast Repertory). Thomas received their B.A. from Wheaton College, Massachusetts. Thomas would like to thank their amazing team: Hope and Retha.

Rethabile Headbush is a second-year stage manager at David Geffen School of Drama. Raised in Johannesburg, South Africa, Rethabile has a background in and passion for devised and interdisciplinary theater. Recent credits at the Geffen School include Jordan E. Cooper’s Ain’t No Mo’, María Irene Fornés’ What of the Night?, and Sarah Kane’s Cleansed. Off-Broadway work includes production assisting as a Management Fellow for RCI Theatricals on Mario Correa’s new play N/A, directed by Diane Paulus. Further credits include The Centre for the Less Good Ideas’s SEASON 9 programme, artsINSIDEOUT (ArtsIgnite) program, and D’haus’ URGENT INTERACTIONS Youth International Congress (Market Theatre Laboratory).

Chaundre Hall-Broomfield is a Newburgh, New York, native with a B.F.A. in acting from SUNY Purchase. He is so excited to be making his Yale Rep debut, working in such a powerful play and being directed by the great Brandon Dirden. His previous theater credits include the first national tour of Hamilton, Pipeline at Lincoln Center (understudy), A Raisin in the Sun at the Guthrie Theater, and Covenant at the Roundabout Theatre. Film and television credits include Netflix’s Luke Cage and R&B, FBI, Law & Order, and BET’s Kingdom Business. As a first-generation Jamaican American citizen, he’s so excited to tell this story! Special shout out to mom and dad! I love you! Romans 8:28.

Russell G. Jones is an AUDELCO, OBIE, and SAG Award-winning actor who has worn many theater maker hats as a fixture on New York City stages since the mid-90s. Russell proudly originated roles in plays by Lynn Nottage, Suzan-Lori Parks, Tanya Barfield, Fernanda Coppel, Kirk Wood Bromley, and Stephen Adly Guirgis. On TV, he was a series regular opposite Edie Falco in CBS’ Tommy and recurred on Steven Soderbergh’s Full Circle for Max, Only Murders in the Building for Hulu, and Godless for Netflix. Russell founded BLND SPOT EXPERIENCE and facilitates cross-cultural dialogue and critical thinking by providing tools and context for perceiving racial inequity.

Juice Mackins is a second-year M.F.A. candidate at David Geffen School of Drama, an alum of Fordham University’s theater program, and a Debbie Allen Dance Academy baby, studying with and under her in various forms of dance and artistic ventures she’s shared. His stage credits include Come Fall in Love—The DDLJ Musical directed by Aditya Chopra, at the Old Globe; the tour of Brothers of The Knight directed by Debbie Allen; and the Broadway musical The Prom, directed by Casey Nicholaw; as well as work in concert and commercial dance. Television appearances include Shook, Grey’s Anatomy, and Blue Bloods, among others. Juice would like to thank his family and friends who’ve taken time to generously pour into him as it led to him making his Yale Rep debut.

Prentiss Patrick-Carter he/him is thrilled to be making his professional debut at Yale Rep! Prentiss is a junior at Yale University studying theater and African American studies. He also performs improv, sketch comedy, and stand-up on the side. Recent credits at Yale include Legally Blonde, The Colored Museum, Moon Man Walk, and Hamlet. Training: British American Drama Academy (MIO 2023). He’s incredibly grateful to his teachers, mentors, friends, and family for their wisdom and support.

Alicia Pilgrim is a vibrant actor, writer, producer, and sound curator, originally from Washington, DC, now based in Brooklyn, New York. With an unwavering passion for authentic storytelling and fostering community, Alicia brings depth and heart to every project. She captivated audiences with her performance in cullud wattah at The Public Theater, earning Antonyo and AUDELCO Award nominations. Alicia can be seen playing Najja in HBO Max’s Peabody Award-winning Random Acts of Flyness (S2) and in the Sundance-winning A Thousand and One, continuing to break new ground. With her solo piece, me vs. ME {a self actualizing ritual}, she challenges creative, personal, spiritual, and social boundaries. Alicia is grateful to her mother, siblings, and community for their continued grace and love. @atribecalledalicia

Christina Acosta Robinson – Happy to return to Yale Rep and David Geffen School of Drama at Yale, which is, in a way, my artistic Eden—where I was first loved, formed, and embraced as an actor. Broadway: The Godmother in Andrew Lloyd Webber’s Bad Cinderella and Summer: The Donna Summer Musical. Regional favorites include Glinda in The Wiz and Dorothy Brock in 42nd Street at Broadway Sacramento; Shug Avery in The Color Purple at Broadway Sacramento and Milwaukee Rep; Titania in A Midsummer Night’s Dream at The Guthrie Theater; Erzulie in Once on this Island at Cincinnati Playhouse; Vera in Seven Guitars at Two River Theater. I love you Ken, Mari, Bennie, and Trace.

Heather Alicia Simms appeared in the Broadway hit Purlie Victorious. Other Broadway credits include Ma Rainey’s Black Bottom and A Raisin in the Sun. Off-Broadway: Fairview (Soho Rep/Theatre for a New Audience); Fabulation and By the Way, Meet Vera Stark (OBIE Award, Signature Theatre); Barbecue (The Public Theater); born bad (Soho Rep), and Richard III (New York Stage and Film). She previously appeared at Yale Rep in Kia Corthron’s Breath, Boom. Television: The Kings of Napa, Swarm, Marvel’s Luke Cage, The Equalizer, Blue Bloods, The Last O.G., Broad City, Seven Seconds, and Law & Order. Film: Vampires vs. the Bronx, Red Hook Summer, The Nanny Diaries, and Broken Flowers. Awards: Fox Foundation Fellowship, Audie Award. Education: Tufts University, Columbia University.

Lauren F. Walker is a third-year actor at David Geffen School of Drama, where her credits include Cactus Queen, Cleansed, The Alley, and the original production of Furlough’s Paradise. As an artist who is dedicated to telling stories that make space for healing and the complexities of humanity, Lauren is honored to uplift this story. Lauren’s previous credits include Charmed (MCC), cullud wattah (The Public Theater), That Damn Michael Che (HBO), and Bad Monkey (Apple TV+). Lauren would like to send a special thank you to God, her family, and her support system here at Yale.

LaurenFWalker.com | @lovevolvz

Tyler Clarke is a second-year actor at David Geffen School of Drama, where her credits include Ain’t No Mo’ and rent free. @Tylerl_clarke

Marcus Fitzpatrick is a graduate of New York University’s Graduate Acting program. His most recent credits include A Midsummer Night’s Dream (Classical Theatre of Harlem), The Moors (NYU), The African Company Presents Richard III (NYU), and Topdog Underdog (Freeplay Festival). Marcus was born and raised in Wilmington, North Carolina. His love of acting first emerged in a junior production of Annie where he played the incomparable Oliver Warbucks. Marcus is grateful to make his first appearance at Yale Repertory Theatre. He thanks his mother for her constant guidance and support.

Greg Alverez Reid (understudy for Joseph Barton) recently starred in Fat Ham at Studio Theatre and This Bright Wilderness: Celebrating the Legacy of Black Theater at Mark Taper Forum. He also was seen in Sweat at Northern Stage, Blues for an Alabama Sky directed by Phylicia Rashad at Mark Taper Forum, and The Bluest Eye directed by Awoye Timpo at Huntington Theatre Company. Other credits include The Fabulous Miss Marie (New Federal Theatre/Castillo Theatre); Detroit ‘67 (Signature Theatre), Fences (McCarter Theatre Center), All My Sons (People’s Light Theatre), Broke-ology (Theater Alliance), Gem of The Ocean (Hangar Theatre), and Seven Guitars (Studio Theatre). On-screen he can be seen in the HBO film Between the World and Me, Wu-Tang: An American Saga (Hulu), and FBI: Most Wanted (CBS).
@gregariousreid

Cole Taylor Yale Repertory debut! Credits: Romeo and Juliet, I & You, Pipeline, The African Company Presents Richard III, Gruesome Playground Injuries, Blues for An Alabama Sky, Saved by The Bell (Peacock), and Strive (Amazon Prime). Cole is a graduate of New York University’s Graduate Acting program. Thank you to SMS and Stride. And also, God. And also, all my teachers. hi, mom. hi, dad. hey, squid. love y’all.

Henita Telo is a first-generation Liberian-American actress at David Geffen School of Drama, where her credits include Ain’t No Mo’ and Cactus Queen. She’s thrilled to be working alongside such wonderful and talented collaborators. Her previous theater credits include The Seagull, Ibsen’s The Master Builder, Cymbeline, Twelfth Night, Fucking A, and Carol Churchill’s Vinegar Tom. Off- Broadway credits include The Hendrix Project directed by Roger Guenveur Smith at The Public Theater’s Under the Radar Festival (2018). Film and television: Lifetime Movie Network’s The Baby Stealer, CBS’s American Auto, and various regional and national commercials. She obtained her B.F.A. in acting from California Institute of the Arts.