Binger Center for New Theatre
Yale’s Binger Center for New Theatre is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals. The Binger Center has supported the work of more than 70 commissioned artists and underwritten the premieres and subsequent productions of more than 30 new plays and musicals at Yale Rep and theatres across the country.
Established in 2008, the Binger Center was permanently endowed in 2012 by a gift from the Robina Foundation with additional funding from the Andrew W. Mellon Foundation, Time Warner Foundation, Inc., the Lucille Lortel Foundation and individual donors. The Binger Center is named in honor of James H. Binger (1916-2004), the noted businessman, theatre impresario, and philanthropist who created the Robina Foundation. Additional funding is from the Andrew W. Mellon Foundation, Time Warner Foundation, Inc., the Lucille Lortel Foundation, the Sir Peter Shaffer Charitable Foundation, The Roy Cockrum Foundation, and individual donors.
Selected Binger Center Programs
Commissions
Supported by funding from the Binger Center, Yale Rep commissions artists—including playwrights, directors, composers, choreographers, designers, performers, and ensembles—to create to work for the stage. These artists can be at any point in their creative lives: from early and mid-career to established. In the 2022–23 season, Yale Rep’s commission fees started at $30,000 per project.
READINGS AND WORKSHOPS
Each development process is tailor-made to the artist’s need and can include small, private readings or large-scale, multi-day workshops. The Binger Center compensates artists for all developmental activities with fees for rehearsals, housing, and travel. This compensation is paid to commissioned artists in addition to commission fees and/or royalties.
ResidencIes
The Binger Center brings artists to New Haven for residencies. Like all development activities, each residency is created in response to the artist’s unique process and can include independent, unstructured work time; dramaturgical support from Yale Rep’s staff; and access to Yale University’s vast resources. The Binger Center provides travel, housing, and per diem to artists for residencies.
Production Fund
The Binger Center’s production fund provides financial support for productions of new work commissioned by and/or first produced by Yale Rep, offering opportunities for the work to be seen by audiences across the country. The production fund has underwritten productions of new work at theaters in New York City (including Atlantic Theater Company, LCT3, New York Theatre Workshop, Theatre for a New Audience, Soho Rep), Pittsburgh, PA (City Theatre), Cambridge, MA (American Repertory Theater), Richmond, VA (Firehouse Theatre), Washington, DC (Woolly Mammoth), Greenville, SC (Warehouse Theatre), La Jolla, CA (La Jolla Playhouse), and Los Angeles (Geffen Playhouse).
Current Commissioned Artists
David Adjmi
Kate Atwell
Sheila Callaghan
Guadalís Del Carmen
Frances Ya-Chu Cowhig
Lucinda Coxon
Jackie Sibblies Drury
Larissa FastHorse
Marcus Gardley
Miranda Rose Hall
Dave Harris
Ann Marie Healy
Naomi Iizuka
Branden Jacobs-Jenkins
Rolin Jones
Hana Kim
Howard Korder
Basil Kreimendahl
Rachel Lynett
Elizabeth Meriwether
Meg Miroshnik
Jiehae Park
Harrison David Rivers
Diane Rodriguez
Tori Sampson
Janine Salinas Schoenberg
Susan Soon He Stanton
Sanaz Toossi
Anne Washburn
Josh Wilder
Marisa Wegrzyn
Martin Zimmerman
Commissions
The following projects were commissioned by Yale Rep and developed with the support of the Binger Center for New Theatre:
Marie Antoinette
by David Adjmi
Knuckle Down
by Christina Anderson
Perfect Stranger
by Hilary Bell
We Have Always Lived in the Castle
Book and Lyrics by Adam Bock
Music by Todd Almond
The Prisoner
by Peter Brook and Marie-Hélène Estienne
Elevada
by Sheila Callaghan
Notes from Underground
adapted by Bill Camp and Robert Woodruff
In a Year with 13 Moons
adapted by Bill Camp and Robert Woodruff
Brother of Jackals
by Bill Camp, Robert Woodruff, Evan Ziporyn and Brook Ziporyn
The Realistic Joneses
by Will Eno
The Lotus Paradox
by Dorothy Fortenberry
On the Levee
by Marcus Gardley
Music and Lyrics by Todd Almond
Directed by Lear deBessonet
Little Row Boat
by Kirsten Greenidge
Familiar
by Danai Gurira
A Perfect Circle
by Noah Haidle
Good Faith
by Karen Hartman
Belleville
by Amy Herzog
Mary Jane
by Amy Herzog
War
by Branden Jacobs-Jenkins
These Paper Bullets!
by Rolin Jones
Imogen Says Nothing
by Aditi Brennan Kapil
Lempicka
Book and Lyrics by Carson Kreitzer
Music by Matt Gould
In the Labyrinth
by Dan LeFranc
Esther Frog Queen
By Julie Marie Myatt
Opium Den
by Julie Marie Myatt
1983
by Caroline McGraw
A Pipe for February
By Mary Kathryn Nagle
Her Lightness
by David Nugent
Love Play
by Lina Patel
How to Make an American Son
by chrisopher oscar peña
What Remains
Text by Claudia Rankine
Direction and Choreography by Will Rawls
Meanwhile on the Other Side of Mt. Vesuvius
by Jay Reiss and Scott Murphy
Two Serious Ladies
by Amelia Roper
Field Guide
created by Rude Mechs
Dear Elizabeth
by Sarah Ruhl
Scenes from Court Life
by Sarah Ruhl
Jonny Que-Onda
by Octavio Solis
Slaughterboy
by Octavio Solis
Perry Street
by Lucy Thurber
Transfers
by Lucy Thurber
Private Rivals
by Alice Tuan
A Humbling in St. Paul
by Alice Tuan
Indecent
by Paula Vogel
Creation
by Kathryn Walat
The Brightest Thing in the World
By Leah Nanako Winkler
Partnerships
Indecent by Paula Vogel was commissioned by Yale Rep and the Oregon Shakespeare Festival as part of OSF’s American Revolutions: The United States History Cycle.
Lempicka by Carson Kreitzer (book and lyrics) and Matt Gould (music) was commissioned by Yale Rep in partnership with Full Stage USA at New Dramatists, a program made possible by the Andrew W. Mellon Foundation.
Productions
The Binger Center has underwritten the production of more than 30 new plays and musicals at Yale Rep:
Notes from Underground
Adapted by Bill Camp and Robert Woodruff
World Premiere, 2009
Pop!
Book and Lyrics by Maggie-Kate Coleman
Music by Anna K. Jacobs
World Premiere, 2009
Compulsion
by Rinne Groff
World Premiere, 2010
Indecent
by Paula Vogel
World Premiere, 2015
We Have Always Lived in the Castle
Book and Lyrics by Adam Bock
Music by Todd Almond
World Premiere, 2010
Bossa Nova
by Kirsten Greenidge
World Premiere, 2010
Belleville
by Amy Herzog
World Premiere, 2011
Good Goods
by Christina Anderson
World Premiere, 2012
The Realistic Joneses
by Will Eno
World Premiere, 2012
Marie Antoinette
by David Adjmi
World Premiere, 2012
Dear Elizabeth
by Sarah Ruhl
World Premiere, 2012
In a Year with 13 Moons
adapted by Bill Camp and Robert Woodruff
World Premiere, 2013
The Fairytale Lives of Russian Girls
by Meg Miroshnik, 2014
These Paper Bullets!
by Rolin Jones
World Premiere, 2014
The House That Will Not Stand
by Marcus Gardley
World Premiere, 2014
War
by Branden Jacobs-Jenkins
World Premiere, 2014
Familiar
by Danai Gurira
World Premiere, 2015
Elevada
by Sheila Callaghan
World Premiere, 2015
peerless
by Jiehae Park, 2015
The Moors
by Jen Silverman
World Premiere, 2016
Scenes from Court Life
by Sarah Ruhl
World Premiere, 2016
Imogen Says Nothing
by Aditi Brennan Kapil
World Premiere, 2017
Mary Jane
by Amy Herzog
World Premiere, 2017
Native Son
by Nambi E. Kelly, 2017
Field Guide
created by Rude Mechs
World Premiere, 2018
Kiss
by Guillermo Calderon, 2018
El Huracán
by Charise Castro Smith
World Premiere, 2018
Good Faith
by Karen Hartman
World Premiere, 2019
Cadillac Crew
by Tori Sampson
World Premiere, 2019
Girls
by Branden Jacobs-Jenkins
World Premiere, 2019
The Plot
by Will Eno
World Premiere, 2019
Manahatta
by Mary Kathryn Nagle, 2020
Today is My Birthday
by Susan Soon He Stanton, 2022
The Brightest Thing in the World
by Leah Nanako Winkler
World Premiere, 2022
the ripple, the wave that carried me home
by Christina Anderson, 2023
Wish You Were Here
by Sanaz Toossi, 2023
The Salvagers
by Harrison David Rivers
World Premiere, 2023
The Far Country
by Lloyd Suh, 2024
Photo Credits
Tonya Pinkins in the world premiere of War by Branden Jacobs-Jenkins, directed by Lileana Blain-Cruz, scenic design by Mariana Sanchez Hernandez, costumes by Montana Levi Blanco, lighting by Yi Zhao, sound design by Bray Poor, projections by Kristen Ferguson, technical direction by Kate Newman, and stage management by Will Rucker. Photo © Joan Marcus, 2014.
Yale Repertory Theatre photo © T. Charles Erickson.